Latin Guitar Day 4

Module 1 - Study Joropo - Colombia & Venezuela
Del Otro Lado – An Introduction To Colombian Folk
Learning The Rhythm Of Joropo Music
Understanding Right-Hand Strumming Patterns
How You Can Add Variations In The Bass
Adding Texture With Muting And Pedal Notes
Combining The Right Hand Patterns
Classic Venezuelan Guitar Ending Phrase
Copas Para Mi Pueblo – Complete Song
Module 2 - Developing Your Guitar Techniques
Learning Montilla From Venezuela
Finger Strengthening Chromatic Guitar Exercises
Slowing It Down With The Metronome
Fretboard Familiarity With Chord Exercises
Module 3 - Learn To Play Cuban Son
How To Play El Cuarto De Tula On Guitar
Keep It Interesting With Right Hand Variations
How Chord Substitutions Affect The Melody
Studying The Bridge Section
Performing The Complete Song So Far
Deeper Theory – Chord Reharmonisation
Learning The Introduction
How To Accompany The Melody
Module 4 - How To Play Bambuco
Música Andina De Colombia
“El Basino” – Basic Strumming Pattern
“El Regresso” – Tiple Strumming Rhythm
Learning The Major Section
Studying The Bridge Chords
Combining The Parts
Module 5 - Furthering Your Guitar Techniques
Chord Exercises With Extensions
Chord Exercises In D Major
Module 6 - Further Cuban Son Study
“De Qué Callada Manera” – Pablo Milanés
Breaking Down The Chord Progression
Following The Voice
Variations In The Right Hand Rhythm
Applying Melodic Variations
Latin Chord Reharmonisation
Demonstrating The B Section
The Complete Song So Far
Learning The Introduction
Performing The Full Introduction
From The Csus Into The Song
At A Faster Tempo
Applying The Strumming Technique
Masterclasses
Cumbia Masterclass – Camilo Menjura
Cuban Guitar Part 1 – Camilo Menjura
Cuban Guitar Part 2 – Camilo Menjura
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How You Can Add Variations In The Bass

Latin Guitar Day 4 How You Can Add Variations In The Bass

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